In fact, some of the kids in Castle Rock are depicted in a similar light to the cult of children from Children of the Corn (with their own ragtag hierarchy). This concept can easily tie into Castle Rock, where Henry Deaver has been accused by the town for trying to kill his father when he was a boy. And though Children of the Corn is set halfway across the country in the fictional town of Gatlin, Nebraska, that's not to say that the demon can't hold some weight in Maine as well.įirstly, while its identity is never completely explained, He Who Walks Behind the Rows corrupts and controls all the children in Gatlin, convincing them to murder/sacrifice every adult in their small, remote town. One character that Skarsgård may be playing is from King's short story Children of the Corn - a demonic force known only as He Who Walks Behind the Rows. And though Bill Skarsgård's character doesn't appear to be physically threatening, he could be directly affiliated with one of these creatures, if not one of them himself. Between shape-shifting creatures like Pennywise the Dancing Clown from It and the Leatherheads in Under the Dome, some of King's villains are literal monsters packed with supernatural abilities that aid in their pursuit of death and destruction. Stephen King is no stranger to creating larger-than-life villains. Last Updated: August 6 He Who Walks Behind the Rows This Page: He Who Walks Behind the Rows and The Crimson King.And whether he turns out to be a classic Stephen King villain, someone new entirely, or the Devil himself, playing detective and piecing together the puzzle is part of the fun.Īnd with that said, let the King-sized speculation begin. So, with little more to go on than the character's apparent ability to kill people with cancer and transmit false realities into people's heads, as well as a handful of easter eggs scattered throughout the episodes, figuring out his identity is just one of many mysteries threaded throughout this show. In fact, he's only credited as "The Kid," as the show's creators explained that revealing his name would spoil the fun. When character details were revealed for Castle Rock, Skarsgård's was the only character whose name was withheld. Related: Castle Rock Review: A Leisurely Stroll Through Stephen King’s World Given that the latter character won't reveal his name - let alone the fact that he hardly even speaks - his identity is one giant guessing game. When death row attorney Henry Deaver (played by Andre Holland) is summoned back to his hometown, his past comes back to haunt him as he crosses paths with his adoptive mother Ruth (played by Sissy Spacek, a King veteran who starred in the author's first adaptation of his first novel Carriein 1976), Castle's Rock's former sheriff Alan Pangborn (played by Scott Glenn), and a mysterious inmate of Shawshank State Prison (played by Skarsgård) who personally requests Deaver to represent him. Besides Pennywise's pregnant spider form, there were other elements of the It book ending that were left out.Set within Stephen King's interconnected universe, Castle Rock (a town featured in several King novels and short stories, including The Dead Zone, Cujo, and Needful Things) is a new Hulu Original series that borrows popular landmarks and characters from King's stories and weaves them into a mysteriously layered narrative revolving around murder, misery, and the supernatural. This proved that the adaptation respected its roots and the people who read the original story, even though it didn't always explain the more confusing elements of King's story in detail. However, 2019's It Chapter Two dropped several Easter eggs referring to the details from the book that had to be cut. Suddenly revealing that a male clown was a pregnant spider creature at the end of It would have confused people. Both adaptations needed to cut details that were too weird or confusing to be commercially successful. King's novel famously gets a little out there - a prime example being that Pennywise's enemy is a giant turtle. It is more than 1,100 pages long, and movie and television adaptations must condense their source material to ensure they work for the screen. While bringing the killer clown to life on screen was simple, there were plenty of elements of the novel that were not.
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